Now showing · One Foot Out The Door

St. Louis, Missouri · Towing and Hoeing

TowGawd

On the hook at 3 a.m. In the booth by sunrise. Street Gospel built the hard way, one call at a time.

Unit 01

One Foot Out The Door

Official music video · Feature presentation

Still from the One Foot Out The Door music video

The record that carries the most weight in the catalog, now with the full film behind it. Halfway in, halfway gone — and every choice still costs something.

Loyalty.Pain.Purpose.Legacy.
Unit 02

The videos

Official music videos and short films. Tap any one to play it right here.

Unit 03

Straight off the reel

Frames from the latest films — Substance, Ain’t Coming Home and Live With Pain. Tow trucks at sundown, marble lobbies at midnight, the river at full flood.

Substance — Sunset at the yard
SubstanceSunset at the yard
Ain’t Coming Home — The lobby, after midnight
Ain’t Coming HomeThe lobby, after midnight
Substance — Strapping the load
SubstanceStrapping the load
Live With Pain — Under the Eads Bridge
Live With PainUnder the Eads Bridge
Ain’t Coming Home — Doors up, rain on the drive
Ain’t Coming HomeDoors up, rain on the drive
Live With Pain — Down in the river
Live With PainDown in the river
Substance — Keys to the fleet
SubstanceKeys to the fleet
Ain’t Coming Home — The long walk out
Ain’t Coming HomeThe long walk out
Unit 04

Discography

Eight albums deep, newest first. Tap a cover to stream it.

Unit 05

Catalog

Released through Plush Music Group and distributed everywhere. Tap any cover to open the record.

Internal Eyes (Internalize) album cover
New album Internal Eyes (Internalize) — 17 songs about looking inward and what it costs to want it both ways. Rolling out to every store this week. Pre-save & follow →
Tow Gawd ratchet-strapping a car onto a black rollback
Unit 06

From the hook to the crown

Wrecker operator by trade, writer and producer by night. Same hands on the winch at 3 a.m. and on the keys by sunrise — which is why the records sound like consequence instead of costume.

Nobody calls a wrecker on a good day. Every song starts there: the pile-up, the payment, the drive home with the sun coming up. Rags to riches, one tow at a time.

8
Albums
34+
Singles
24/7
On call
Unit 07

The fleet wears the name

Gold on black, cross and hook. The same mark on the Sierra, the wrecker and the rollback — so the brand rolls whether it is a release week or a recovery call.

Blacked-out GMC Sierra Denali with gold Tow Gawd livery on wet St. Louis pavement
Sierra 2500 DenaliSatin black · gold-chrome wordmark · cross-and-hook fender crest
Heavy-duty integrated wrecker with gold Tow Gawd lettering down the boom bed
Heavy wreckerBoom-bed wordmark · Plush cab mark
Black rollback flatbed with gold Tow Gawd rail lettering in front of the Gateway Arch
Rollback flatbedDeck-rail wordmark · Arch skyline
Three Tow Gawd branded trucks lined up in a dark warehouse under amber light
Full lineupOne mark, three trucks, one name
Unit 08

Tow Gawd Enterprises

The building the whole thing runs out of. Dispatch on one side, the writing on the other — towing and hoeing, one name over both doors.

The Tow Gawd Enterprises building in daylight
Daylight · the yard, the bays, the crest over the door
The Tow Gawd Enterprises building at night with purple accent lighting
After hours · purple bands, gold lettering, lights still on

Nobody calls a wrecker on a good day

Which is the whole job — and the whole genre

Unit 09

The vault

Every cover from the working sessions — the takes, the alternates and the records that became releases. Hover to hold the wall still.

Unit 10

Street Gospel

Trap, soul, blues, R&B, classical chord movement, jazz fusion, country, soft rock — filtered through church movement, music theory and color theory. Street stories sitting on top of love harmony, so the story gets bigger without getting softer.

Going to Streetside Records on Washington Avenue with my dad, buying cassettes and Johnnie Taylor CDs back when you had to order discs out of a catalog and wait for them to ship. That's where my love for music started.

The songs do not stop at the event. They ask what it cost and what happened after — that consequence layer is the whole point. Foundations: Songs in the Key of Life, TP-2.com, Thriller. That era taught melody, songwriting and soul — how to make a record people feel, not just hear.

  • FromSt. Louis, MO
  • LabelPlush Music Group
  • Releases34 & counting
  • LaneHip-Hop · R&B / Soul

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